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Laughing On the Outside, Crying On the Inside

by Matt Cook Seventy-Five

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1.
What have we learned We are not done I'll wait my turn If you say I'm the one I'll wait for you Cause I am the fool And fools don't rush in They just get abused It's a long way down To the depths of my heart To the coldness of All your love All your love Your so-called love Expired love What have I learned No I am not dumb I must like getting burned You burn me all up It's a long climb up To respectable Human being from All your love All your love Your so-called love Expired love
2.
Glutton 03:19
And say what you're feeling You're locked away inside a room where no one else hears it Saying those bad, bad words And act like you mean it Be yourself and no one else can lay the cards around you Try to learn who you are Someone who makes me smile Though it won't last awhile My heart knows where it's at I've heard it all before I'm not the kind that gluttons for more And stand taller You feel the wait all pulling down Put the weight on my shoulders What I need is Someone who makes me smile Though it won't last awhile My heart knows where it's at I've heard it all before I'm not the kind that gluttons for more What I need is Someone who makes me smile Though it won't last awhile My heart knows where it's at I've heard it all before I'm not the kind that gluttons for more That gluttons for more That gluttons for more
3.
Times Square 05:21
Lights rain down illuminating passersby The darkest night gives its way to a neon sky People fleeting in every direction You're lost in the center of attention As if you didn't know Will you stop in your tracks just to lift me up Lend a hand to the drunkard you've stumbled on Much too scared, To be young and so in love with everyone That you meet out on the streets Of New York City's famous scene Take a subway uptown to Sloan Kettering Push and shove your way through, no one's listening Head back downtown through Grand Central Station Watch the ball drop and cry jubilation I see it much clearer you stay Much too scared, To be young and so in love with everyone That you meet out on the streets of NYC Fool me once, shame on me Fool me twice, I can barely see all I've done and what you've become The loneliest, most selfish picture of life as one Much too scared, To be young and so in love with everyone That you meet out on the streets of NYC Fool me once, shame on me Fool me twice, I can barely see all I've done and what you've become The loneliest, most selfish picture of life as one
4.
Patience 04:42
I hear the sound of your voice through the night Like a stained glass window your love shines bright My head keeps turning like a merry-go-round I keep on falling, but don't hit the ground Tell me you miss me when you're all alone Squeezing the pillow while you're on the phone A fire that burns to the depths of woe It's doused only within my soul And would you wrap your arms around me And I'm exactly where I want to be We've both waited patiently Trust me Hide under your covers when you just can't move Save me a blanket and I'll be there soon And all the wondering where you've gone Wherever you walk, I'll run And would you wrap your arms around me And I'm exactly where I want to be We've both waited patiently Trust me
5.
Vultures 02:48
They can pry me off all they want to The demons' point of view I'm standing like a boxer glued to your eyes You can write me off if you want to But not before our love grew With my arm outstretched, my hand across your back And set you free From the vultures that attack you constantly Setting forth their own agendas for their needs Oh I don't want to be Pulling you away from me I've tried too hard just not to let you go God, I love you so You can take your time if you need to Stand tall like a statue A tower of eternal love and peace and joy We can sit and pray with our arms crossed Our hands interlocked And ask God to save us both from misery And set you free From the vultures that attack you constantly Setting forth their own agendas for their needs Oh I don't want to be Pulling you away from me I've tried too hard just not to let you go God, I love you so
6.
Smokey Bear 04:00
You know I'm my worst enemy I saw you write it down in your diary As I stood in the back of a crowded room Somehow always avoiding you Hear my voice, let it out now What have we learned? The pain we cause to ourselves, oh When will we change? I hope one of these days You push me away every time I reach out Juxtaposed in confidence and self-doubt As I stood on the corner of consciousness My sin is buried deep within Hear my voice, let it out now What have we learned? The pain we cause to ourselves, oh When will we change? I hope one of these days Hear my voice, let it out now What have we learned? The pain we cause to ourselves, oh When will we change? I hope one of these days
7.
Luiza 03:53
Walking down the streets of NYC Warmly greeting every face you see You are bold and you are deep Like the city that never sleeps Central Park casts shadows from its trees Subways shake the sidewalks, buckling knees All you are is all you've known Like a scar that has been sown All you are is all you've known Oh you'll never be alone And I don't need you if you're not Luiza! Luiza! I don't need you if you're not Luiza! Luiza! Standing on the High Line's freight train rail The buildings shout out, colored in pastels There are stories you can tell unlike anybody else From the rooftops you can see all the truths to set you free And I don't need you if you're not Luiza! Luiza! I don't need you if you're not Luiza! Luiza! I don't need you if you're not Luiza! Luiza! And I don't need you if you're not Luiza! Luiza! I don't need you if you're not Luiza! Luiza! I don't need you if you're not Luiza! Luiza!
8.
You have worn out your stay And oh what a heavy price to pay You pulled yourself from the dark From your world of loneliness apart Now I'm crying aloud From what I've found Chew it up, spit it out on the floor Until everyone thinks like you No use being alone Bury your face in the phone Now that you are all grown You'll spend your last days alone Old will clash with the young And times will pass when they're done You take the world as it comes And pass it off as your own Now I'm crying aloud From what I've found Chew it up, spit it out on the floor Until everyone thinks like you No use being alone Bury your face in the phone Now that you are all grown You'll spend your last days alone When you feel like no one else can bring you down, down, down You'll soon feel what it's like when I'm not around, round, round, round, round Goodnight, go home gramps Oh goodnight, go home gramps Goodnight, go home gramps Oh goodnight, get lost gramps!
9.
16 & 24 03:26
I swallowed so much sand cause I wanted to kiss your pretty face I didn't even mind we were in the perfect place And time seems to stand still, but it keeps going on I would have stayed on that beach until the break of dawn That's what it's like When you're 16 and you're living in a dream Or you're 24 wondering when you'll find something more LIfe has its ups and downs, but it's better than it seems Since the day that it has brought you to me I get to take you to places you have never been Exploring new worlds going together hand in hand Time seems to stand still but, it keeps going on I want to stay with you until my life is done That's what it's like When you're 16 and you're living in a dream Or you're 24 wondering when you'll find something more LIfe has its ups and downs, but it's better than it seems Since the day that it has brought you to me And it's so amazing cause it's new, new, new for us And I can't wait to take you out again and again and again And it's so amazing cause it's new, new, new for us And I can't wait to take you out again and again We'll sleep when we're dead That's what it's like When you're 16 and you're living in a dream Or you're 24 wondering when you'll find something more LIfe has its ups and downs, but it's better than it seems Since the day that it has brought you to me That's what it's like When you're 16 and you're living in a dream Or you're 24 wondering when you'll find something more LIfe has its ups and downs, but it's better than it seems Since the day that it has brought you to me
10.
Chance 01:51
I'll bring the crayons You bring the imagination I've got a towel to lay on The beach is our destination And I would be the happiest guy around Can it be you're into me Like I'm, like I'm into you I hope it's true, I'm not crazy And there's a chance that you like me Can I take you to a show Doesn't matter who let's just go And if it stinks, well I I would buy you a drink And I would be the happiest guy around Can it be you're into me Like I'm, like I'm into you I hope it's true, I'm not crazy And there's a chance that you like me I'm learning everyday it's true There's better ways to get to know you We speak two different languages And yours is starting to make sense Can it be you're into me Like I'm, like I'm into you I hope it's true, I'm not crazy And there's a chance that you like me And can it be you're into me Like I'm, like I'm into you I hope it's true, I'm not crazy And there's a chance that you like me
11.
We should have finished what we started Or have had a conversation Of all the ways I feel cheated Oh, the complications But I'm not your terminal patient You should have seen me at the sunrise Grinning from the inside You'd still tell me that I'm crazy Overestimating But I'm not your terminal patient Same scars, same broken heart A work of Nicholas Sparks And when we get a little older And move a little slower If you'd greet by my bedside You've lived an incomplete life But I'm not your terminal patient I'm not your terminal patient I'm not your terminal patient
12.
Silence fills these empty days A game no longer fun to play The pangs of selfish, bitter rage A broken tryst disguised in hate When you mean the words you say Are you ever gonna change? To be the man I have to be And put aside my jealousy Am I ever gonna change?

about

The debut album of Jersey Shore-based indie piano-rock trio Matt Cook Seventy-Five

credits

released November 13, 2015

MC75 are: Alberto Munoz (drums), Matt Cook (piano), and Matthew Pucci (bass)

Recorded and Engineered by Avi Patel at PCC South Plainfield, NJ September-November 2014, February 2015 and by Pete Andrews at Submergent Music Middletown, NJ July-August, October 2015
Mixed by Pete Andrews
Mastered by Plink Giglio at 17th Avenue Productions
Produced by Matt Cook
Artwork by John Freyvogel
All songs written by Matt Cook except "16 & 24" and "Chance" written by Matthew Pucci
Booking Manager Donna Gambacorta
Additional musicians Pete Andrews (upright bass and percussion on Patience), Laura Appello (violin and cello on Smokey Bear), and Ronald Tomaino (background vocals on Glutton and Times Square)

Copyright 2015 by Matt Cook Seventy-Five

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Matt Cook Seventy-Five Belmar, New Jersey

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